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Soul Snatchers Treats Spiritual Warfare as Literal Horror

iHorror reports that Julio Román’s new film distinguishes itself by grounding its horror in active faith rather than religious set dressing.

Official press or product image. Press image via iHorror

iHorror reports that Soul Snatchers distinguishes itself from typical supernatural horror by treating spiritual warfare as a literal reality rather than thematic flavoring. The 104-minute film is a Puerto Rican production directed by Julio Román and written by Román and Cesar R. Castillo. It is made entirely in English, a deliberate choice by Román to move Puerto Rican filmmaking into a wider international market.

The film’s premise centers on Emmanuel, played by Cameron Arnett, who brings his missionary family back to the Caribbean island where he grew up. Emmanuel plans to open a music school for orphaned children, but the plan does not survive contact with the island. His youngest son falls under the influence of a powerful cult-like leader positioned in direct opposition to Emmanuel, while his older son pulls away from the family. What begins as a homecoming becomes a fight over a household, which the film treats as literal rather than psychological.

Román has described the film as being about redemption, family, and the spiritual world becoming physical. The horror rests on the premise that spiritual warfare is real. This approach contrasts with many supernatural horror films, where religious elements like crucifixes or priests often function as set dressing or plot devices. In Soul Snatchers, the faith-based elements are central to the narrative structure and the conflict’s resolution.

The production is faith-based in the fullest sense, according to iHorror.