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Fangoria Highlights Top Horror Titles From Fantasia 2026, Including Casey Walker’s Home Bodies

The publication rounds up standout genre films from the Montreal festival, spotlighting stripped-down sci-fi and vampire romance alongside festival openers and closers.

An official Fantasia programme still from Casey Walker's Home Bodies. Home Bodies production / Fantasia International Film Festival

Fangoria has published a curated list titled “5 Of The Best Horror Movies We Caught At Fantasia 2026,” highlighting genre offerings from the weeks-long event in Montreal. The report identifies specific titles that stood out among the strange cinema showcased at the festival, which attracts sickos and the curious to local theaters. This selection provides immediate visibility for films like Casey Walker’s Home Bodies, offering horror fans concrete recommendations from a major industry publication.

The festival opened with Nicolas Winding Refn’s latest film, Her Private Hell, and concluded with Zach Lipovsky and Adam Stein’s follow-up title, Freaks II. These bookends framed a schedule that included returns of familiar genre staples. The Adams clan presented The Glorious Dead, while the program also featured retro screenings of Canadian classic Pontypool and Japanese film Gozu. Between these anchors, Fantasia showcased a variety of new genre delights.

Fangoria’s roundup specifically calls attention to Home Bodies, directed by Casey Walker. Described as a “Good Ontario boy,” Walker has recently been known in Canadian genre circles for producing films, but he triumphantly returned to directing with this stripped-down sci-fi entry. The publication notes that the film evokes elements of Canada’s horror greats. It is described as a story centered on a duo locked inside a smart house, appealing to fans of confined-space tension.

The narrative follows Red (Emma Ho) and Blue (Ian Ho), a sibling duo who live like the children of a neurotic parent. They wake up at the same time, do the chores assigned to them, consume their daily meals, and watch their daily episode of television. The setup is mundane and strict but safe. Red, the teen girl, grows bored and tired of playing childish games with her brother, disrupting the established order.

The report contextualizes Home Bodies within broader trends in Canadian horror. During a screening of Undertone, an attendee described how Canadian horror often operates in liminal spaces. This observation drew comparisons to films like Cube and Skinamarink.

Beyond sci-fi, the list includes vampire romance and found-footage firsts among its selections. The publication frames these choices as some of the best horror movies caught at the festival. By highlighting specific narrative elements and casting details for titles like Home Bodies, the report offers readers a snapshot of what defined the 2026 lineup.

No release dates, distribution partners, or additional production details were announced in this specific roundup. The focus remains on identifying standout performances and concepts from the festival schedule.